The Last King
by A. Yamina Collins
by A. Yamina Collins
Twenty-eight
year Emmy Hughes has never quite fit in---she's six feet tall,
dark-skinned, and daydreams of being an Elf from Lord of the Rings. But
when she is badly injured in a car accident that kills her mother, Emmy
does not dream of fantastical worlds anymore---she just wants her
shattered life to be normal again.
Unfortunately, normalcy is the last thing in store for her once she meets Lake George's newest arrival, Dr. Gilead Knightly. Granted immortality from a line of people who marched into the Garden of Eden and ate from the Tree of Life, Gilead has been alive for centuries and has met everyone from Nubian kings to Napoleon.
But Gilead and his eccentric family are also hunted beings. Indeed, God considers the Edenites' possession of immortality to be theft and for thousands of years He has dealt with their transgression by sending each of them a "Glitch" ---an unsuspecting human meant to retrieve this stolen "property" and kill them off.
When Emmy discovers that she is Gilead's Glitch, she is not only thrown into a world of immortals who eat bone marrow, panthers who read minds, and a family whose blood is made of pulsing gold, but she finds herself the target of Gilead's vengeance: he must get rid of her before she gets rid of him.
Easier said than done. Because Glitches are not only an Edenite's greatest threat---they're also their greatest love.
Excerpt The Last King: Book I - Series 1
Chapter 1
It is doubtful the Master will ever hear of what is about to take place, Markus thinks, standing at the bank of this deserted lake. The branches on the trees around him sway peacefully, and the evening air hums a lullaby.
Markus does not suppose that the Master will hear about this and, really, what difference should it make if he does? It's just an old homeless guy that is going to die: Markus feels no guilt about it, so how could his thoughts give him away?
In a moment, he removes his hand from the old man's mouth because he knows the poor fool is too stunned to scream anyway---people are always speechless when they first see Markus's wings, stretched out as they are, twenty feet on either side of him, and tonight the old man simple blinks and lets spittle hang from the corners of his lips.
Markus does not know his victim's name, but his victim certainly knows it: Johnnie is what they call him, Johnnie Kubrick, and his very soul seems to have unzipped itself from his body and stepped outside of him. He is not just rigid but catatonic, and he longs for this to be some terrible dream he will soon wake up from.
But this is no dream, this is reality: there is a man standing before Johnnie who looks human, yet has glass wings on his back that are yellow and whose edges taper off to a thin, razor like end. The wings make a sound like metal crashing against metal as they flap - it is a harsh sound, a cold sound. And yet the wings themselves do not frighten the old man as much as what is attached to the wings do.
Johnnie's pale lips tremble.
"Wha---what are you?" he finally stutters. He does not mean to ask questions. He means to beg for his life because he does not want to die like this---not in these shabby clothes, near a bed of water where he can easily be disposed. He wants to die in a warm room, with someone who loves him holding his hand; Johnny Kubrick wants to die with dignity, different from the way he lived.
The old man chokes on his tears, wishing he was important again, the sort of man who would be missed in death, and he tries to recall how he ever became the sort of person other people diverted their gaze from on the streets. How had he become nameless, faceless, and useless to the world? When he was a boy, he never imagined the day his red hair, so straight and neat, would be constantly matted against his head.
Johnnie wants his mother here with him, so he could take in the soapy smell that was always on her, and smile at the sight of her emerald green eyes. If Johnnie's mother were still alive she would shield him from this boogeyman, and sing to him, like she did that Christmas morning when the cold of winter snapped at his bones but he happily cradled a shiny new firetruck in his arms.
Unfortunately, normalcy is the last thing in store for her once she meets Lake George's newest arrival, Dr. Gilead Knightly. Granted immortality from a line of people who marched into the Garden of Eden and ate from the Tree of Life, Gilead has been alive for centuries and has met everyone from Nubian kings to Napoleon.
But Gilead and his eccentric family are also hunted beings. Indeed, God considers the Edenites' possession of immortality to be theft and for thousands of years He has dealt with their transgression by sending each of them a "Glitch" ---an unsuspecting human meant to retrieve this stolen "property" and kill them off.
When Emmy discovers that she is Gilead's Glitch, she is not only thrown into a world of immortals who eat bone marrow, panthers who read minds, and a family whose blood is made of pulsing gold, but she finds herself the target of Gilead's vengeance: he must get rid of her before she gets rid of him.
Easier said than done. Because Glitches are not only an Edenite's greatest threat---they're also their greatest love.
Excerpt The Last King: Book I - Series 1
Chapter 1
It is doubtful the Master will ever hear of what is about to take place, Markus thinks, standing at the bank of this deserted lake. The branches on the trees around him sway peacefully, and the evening air hums a lullaby.
Markus does not suppose that the Master will hear about this and, really, what difference should it make if he does? It's just an old homeless guy that is going to die: Markus feels no guilt about it, so how could his thoughts give him away?
In a moment, he removes his hand from the old man's mouth because he knows the poor fool is too stunned to scream anyway---people are always speechless when they first see Markus's wings, stretched out as they are, twenty feet on either side of him, and tonight the old man simple blinks and lets spittle hang from the corners of his lips.
Markus does not know his victim's name, but his victim certainly knows it: Johnnie is what they call him, Johnnie Kubrick, and his very soul seems to have unzipped itself from his body and stepped outside of him. He is not just rigid but catatonic, and he longs for this to be some terrible dream he will soon wake up from.
But this is no dream, this is reality: there is a man standing before Johnnie who looks human, yet has glass wings on his back that are yellow and whose edges taper off to a thin, razor like end. The wings make a sound like metal crashing against metal as they flap - it is a harsh sound, a cold sound. And yet the wings themselves do not frighten the old man as much as what is attached to the wings do.
Johnnie's pale lips tremble.
"Wha---what are you?" he finally stutters. He does not mean to ask questions. He means to beg for his life because he does not want to die like this---not in these shabby clothes, near a bed of water where he can easily be disposed. He wants to die in a warm room, with someone who loves him holding his hand; Johnny Kubrick wants to die with dignity, different from the way he lived.
The old man chokes on his tears, wishing he was important again, the sort of man who would be missed in death, and he tries to recall how he ever became the sort of person other people diverted their gaze from on the streets. How had he become nameless, faceless, and useless to the world? When he was a boy, he never imagined the day his red hair, so straight and neat, would be constantly matted against his head.
Johnnie wants his mother here with him, so he could take in the soapy smell that was always on her, and smile at the sight of her emerald green eyes. If Johnnie's mother were still alive she would shield him from this boogeyman, and sing to him, like she did that Christmas morning when the cold of winter snapped at his bones but he happily cradled a shiny new firetruck in his arms.
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